Every town out here has a story it tells to keep you out of the bush.
This book is what happens when someone doesn't listen.
From the oil fields of...
Every town out here has a story it tells to keep you out of the bush.
This book is what happens when someone doesn't listen.
From the oil fields of...
Richard Gollifer is a Canadian independent author specializing in horror, dark fiction, and pulp-style storytelling. Based on Vancouver Island, British Columbia, his writing is characterized by heavy atmosphere, restraint, and direct prose influenced by classic film noir and mid-century pulp fiction.
Drawing on a lifetime of experience in industrial trades, travel, and the Canadian wilderness, his stories often reflect the urban legends, remote jobsite folklore, campfire tales, and uncanny experiences encountered along the way. Gollifer brings a grounded, often gritty realism to stories that range from psychological horror and folklore to supernatural fiction.
Readers have praised his economical writing style, describing his prose as having "no words wasted," while his stories weave elements of Canadian history into dark, atmospheric fiction.
His published works include Rake, The Draft, and Beneath the Pines, a collection of short stories.
Richard Gollifer is a Canadian independent author specializing in horror, dark fiction, and pulp-style storytelling. Based on Vancouver Island, British Columbia, his writing is characterized by heavy atmosphere, restraint, and direct prose influenced by classic film noir and mid-century pulp fiction.
Drawing on a lifetime of experience in industrial trades, travel, and the Canadian wilderness, his stories often reflect the urban legends,...
Every town out here has a story it tells to keep you out of the bush.
This book is what happens when someone doesn't listen.
From the oil fields of Alberta to the dark timber of Quebec to the storm-battered coast of Vancouver Island, Beneath the Pines follows ordinary people into the places the campfire stories warned about. Workers who hear...
An inherited house on Vancouver Island.
An old apple orchard near the water.
A quiet place to rest.
At first, it works.
Days fall into a rhythm—beach runs, salt air, familiar faces. The town is small, watchful, and kind in its own way. The orchard sits just beyond the yard, uneven and overgrown, its trees leaning where they please.
Pets start to go...
A boy is sent across the river to spend the summer with his extended family.
At first, it feels ordinary: farm work, long days, crowded kitchens, local markets, and the constant presence of machines and land that demand attention. The family operates by rules that are never explained. Strength is expected. Control is assumed. Certain instincts...
The Art Behind the Horror: Working with Serpil Odabaşı
One of the most rewarding parts of publishing my own horror stories has been collaborating with talented artists who bring those stories to life visually.
I've had the pleasure of working with Toronto-based artist Serpil Odabaşı on the cover artwork for my independently published books.
Serpil is a multidisciplinary artist whose work spans painting, drawing, illustration, and collage. Her artwork often explores memory, displacement, and the...